Shinto, literally the way of the kami, is Japan's indigenous religious tradition centered on kami, spirits or sacred presences associated with natural features, ancestors, and notable historical figures. Early myths recorded in the Kojiki and Nihon Shoki describe the origin of the archipelago and the descent of imperial lineage from Amaterasu, the sun goddess and chief kami. Shinto emphasizes purity (harae), gratitude, seasonal celebration, and respect for place rather than systematic theology, founder doctrine, or fixed scripture in the manner of many world religions. Kami are not omnipotent gods but localized powers to be approached with reverence, often through offerings of rice, sake, and symbolic objects. Pollution (kegare), understood as contact with death or disorder, is removed through ritual cleansing rather than moral guilt in a Western theological sense.
Shrines (jinja), marked by torii gates, serve as sites for offerings, prayer, and community festivals (matsuri). Priests (kannushi) perform purifications and rites; worshipers often clap and bow to honor kami. Since the introduction of Buddhism in the sixth century, Shinto has coexisted with and sometimes merged into syncretic forms (shinbutsu-shugo), though the Meiji-era policy of shinbutsu bunri formally separated institutions. State Shinto of the early twentieth century politicized shrine worship, a chapter scholars treat with critical attention when discussing religion and nationalism. Contemporary Shinto ranges from household god-shelves (kamidana) to national shrine complexes, remaining integral to Japanese life-cycle ceremonies, agriculture, and cultural identity while adapting to modern civic life. Scholars note that Shinto's diffuse character resists narrow doctrinal definition yet remains central to Japanese senses of belonging and landscape.
Japan's oldest chronicle, compiled in 712 CE, recording myths of the kami from creation through the age of the emperors. It tells of Izanagi and Izanami creating the islands, Amaterasu hiding in a cave, and the divine descent of Japan's imperial line. Written in a mix of Chinese characters and phonetic Japanese, it anchors Shinto ritual and national identity.
The 'Chronicles of Japan,' completed in 720 CE as a more formal, Chinese-style history parallel to the Kojiki. It includes alternate versions of creation myths and extensive genealogies of gods and emperors. Together with the Kojiki, it provides the mythological framework for shrine worship and imperial ceremony.